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THE CREATIVE PROCESS UNMASKED

ByLee Ann
This entry is part 2 of 11 in the series The Creative Process Unmasked

Like many people, I am fascinated by a how a piece of art is created. But it’s not often we get a chance to learn much about the creative process behind the development of a book, or painting, or photograph we enjoy.

How about you? Ever wonder what drew a painter or photographer to a specific scene? Or how a poet managed to say so much in so few words? Or where a novelist found out how daily life was lived a century ago?

Lucky me: I get to “go behind the scenes” when I write a feature article for the Historical Novel Society. These features are not book reviews, but rather, a chance to interview the author. So I learn about their writing processes as well as the inspiration and challenges they faced while writing their books.

For example, last year, I got to interview author Eugenia Lovett West, who at age 96 was releasing two new novels! Terry Gamble – whose ancestors founded the Proctor and Gamble Company – shared with me some of the overlaps between her own family history and that of the fictional family in her book. And I got to ask novelist Jennifer Chiaverini about the challenges of researching little-known or forgotten historical figures, so they can be brought to the forefront of her story.

The insights these authors provided to me about the process of creating their books greatly enhanced my enjoyment of the books themselves. And so…

Announcing a New Feature!

After thinking some more about this, and also about the great feedback I received when I shared my own process in writing a poem, I’ve decided to launch a new feature here:

The Creative Process Unmasked

(Well, most of us are masked these days, so why not play with that in the series title?)

This will be a regular feature. I hope to demystify the creative process a bit. I’ll push back the curtain and share with you insights about how I created a new poem. And I’ll invite some guest artists to do the same.

I’m launching the series today with the three novelists who unmasked their creative processes for me in my recent Historical Novel Society articles.

Please let me know what you think! In particular, was there anything that surprised you about how these writers went about creating their books? I’d love to know!

Lee Ann

A Patriot Spy and Her Inspiring Creator: Sarah’s War by Eugenia Lovett West

The Eulogist by Terry Gamble: A Family Affair

Behind the Headliners: Mrs. Lincoln’s Sisters, by Jennifer Chiaverini

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WRITING IT SO THEY READ IT: How I’m Bringing Family History to Generation Y

ByLee Ann

I set myself a bit of a challenge lately when I decided to create a family history specifically for my two sons, age 28 and 25. Neither of them likes to read. Neither has a big interest in history, family or otherwise. But they do like hearing me tell stories of the ancestors I’ve discovered: the inventors, heroes, and adventurers they descend from.

I knew right away that writing a book for them, while great fun for me, would be a spectacular failure in the end because they wouldn’t read it. So I started thinking about what they would want to know, and how I could best package it.

Right away, I realized two things:

  1. Any data has to be directly related to them, and anchored in family members they know. So the working title of this project is “YOU!” and I use that pronoun in everything I present to them. I also use their four grandparents as the “roots” for the branches of the family.
  2. Everything has to be delivered to their phones. This is, of course, how they are used to getting information.

I write short, illustrated pieces that I know will catch their interest: any link to hockey; ancestors who farmed near their beloved Muskoka cottage; members of the military in addition to the cousin they know well.

This picture tells them of their nationalities: Your Nationalities pdf

Two short essays give snapshots of what each of the four branches of the family were up to in 1909 and 1927 – the first and last times the Ottawa Senators won the Stanley Cup.

Of course, it takes a long time to put together all the research necessary for one of these one- or two-page history bursts. But I love nothing more than kneading raw data into something interesting… providing a glimpse of people’s lives from the distant past in a way that these “millennial” boys of mine will relate to.

I send out a new installment of “YOU!” about every month or six weeks. So far, the return emails have lots of exclamation marks, usually following “awesome, Mom”.

To other genealogists I say, “Know your audience. The rewards are many!”

MY MUSKOKA

ByLee Ann

The scope of Muskoka’s Main Street is a territory along the 172 kilometre length of the colonization road, stretching from Washago to just south of Lake Nipissing. My personal Muskoka is firmly anchored in a one-acre cottage property that hugs the shore of Green Bay on Three Mile Lake.

Green Bay, Three Mile Lake, Muskoka

This property has been owned by only two families in the past 150 years. The Shea family – one of the first to settle in Watt Township – took possession of it in about 1862, as part of their 200 acres of free grant land. Just over 100 years later, the Sheas subdivided their land and the lot was bought by my in-laws, Joan and Don Smith.

I love the sense of history that I get from roaming the property. I can stand on the strip of beach in the exact spot where a photo from Bert Shea’s memoir shows the pioneer Sheas in two canoes carved from one massive tree taken off Long Point. They grew wheat on our lot; I can imagine William Shea launching his canoe full of grain in 1863, to be taken over water and portage to Gravenhurst and then by pack over the Muskoka Road to Washago and the closest grist mill.

I can also picture my father-in-law sawing a hole through the ice on a winter trip to the cottage (one of my rare winter trips). And my children as babies sitting in the shallow water, their diapers swelling up to alarming proportions. I can hear the chatter that accompanied my sister and I stirring vats of macaroni salad for “Cousin Fest.”

In Muskoka, it’s all about the land, isn’t it? The craggy grey rock with its distinctive pink grain, rising in sheer cliffs or, as on our lot, poking out from the thin, sandy soil. It’s also about the trees: the mixed hardwood forests that still tower out of that inhospitable base. The Sheas named Green Bay not for the colour of the water in late summer, but for the trees that ringed the bay, and still do. 

Maybe above all else, Muskoka is about the lakes. The whole of Green Bay was once the playground of the pioneer Shea and Veitch families. Imagine having that as your back yard! I can imagine it. Because part of this bay is my Muskoka, rooted in Muskoka pioneer history and now Smith family history.

I used to define my Muskoka within this boundary. Muskoka’s Main Street has given me an even richer scope.

MUSKOKA’S MAIN STREET GOES TO THE PRINTER

ByLee Ann

The last six weeks has been a marathon of design, review, editing, fact-checking and proofreading.

I want to say one thing about proofreading. It is a long, painstaking, manual process. Four people proofread the galley proofs for MMS – these are like the proofs you get from a photographer – and every person found something different. If a fifth person proofread them, they might unearth something we left behind – a typo, a duplicated word, a missing word – but I doubt it. Or at least, I hope not. (One professional proofreader I worked with years ago used to read a manuscript backward. Amazing what you find when you are not reading the context, but rather, just the words themselves.)

Today the book was sent on CD via courier to the printer. By next week we will know the printer’s schedule. Tentative publication date is August 1.

My brand-new website will go live about when the book is published. (NOTE TO MY FAITHFUL SUBSCRIBERS: YOU WILL HAVE TO RE-SUBSCRIBE. More on that later.) My blog and website will now be on the same platform, which makes them easier to update, which is a good thing, since we now switch gears from “down and detailed” to “fast and furious.” OH – and the website will include an interactive map of the Muskoka Road! Very exciting, very unique.

Patrick, my publisher at Muskoka Books has already turned his attention to marketing activities. Launch events. Contests. Personal appearances. Magazine articles. Something for everyone along this road!

Hang on to your hats.

BOOK DESIGN

ByLee Ann

It’s been a ride and a half getting the manuscript to the point where Gary, my book designer, can start laying out the pages. By my count, I’ve pressed the send button for the final time three times now. Once to the Dominic, the editor. Once to add more photos. Once to incorporate all the “front matter”: preface, introduction, publisher’s message, endorsements.

This is the process of refinement that gives a book its final polish. As I write this, Gary has done a preliminary layout and in doing that, has read the text through again. He says he can’t help it, especially with a book so interesting,which is high praise from a man who’s already read it twice. I’m busy responding to his questions and suggestions. Meanwhile, editor Dominic has also reviewed the manuscript once more and provided some suggested tweaks to Patrick, the publisher, who is giving the text a thorough read himself. This book will shine diamond-bright from all the polishing!

What you will be dazzled by first, though, is the design. Main Street has so much visual appeal, starting with the cover: 

Inside, this is not a simple novel, which consists of page after page of plain text with a header, a footer and some chapter pages. Main Street has over a dozen “sidebars”and 100-plus photos and maps that must be fit into the right places in the text, enhancing not distracting from the text itself. Every single page is unique, yet follows an overall design that dictates column width, text placement and presentation.

Book design is both creative and technical; every element requires a decision. Fonts are chosen for readability and for a style that reflects the nature of the book. Page size and paper type are based on the content, the number and size of illustrations, and the cost of printing. Muskoka’s Main Street will be seven by nine inches, printed on high quality white paper, and will run about 230 pages. 

Every page will sparkle!

MUSKOKA ROAD END TO END: How Not to Take Pictures

ByLee Ann

Geoff and I just returned from another venture along the Muskoka Road, this time to take pictures of me on the road. Amazingly, after all this time, I had no pictures of me on the road. 

Lee Ann at the start of the MCR (Washago)

 We also took the opportunity to take some “today” shots of the main streets of six Muskoka-Parry Sound towns, matching today’s view with that of historical photos I have in the book. A very cool comparison, especially when some buildings are still standing!

Washago 1903

One thing of note, though, is that 19th century photographers invariably stood in the middle of the road when taking “main street” pictures. Not a good idea with today’s traffic. We had to take turns standing guard for each other, when trying to get the same vantage point.

Washago 2012

Oh – a word of advice for those of you considering a venture where you drive 370 kilometres to Muskoka, then a further 170+ kms from one end of a road to the other, through at least six towns over two days, taking 63 photos. Check the settings on your camera.

Yes! Imagine my horror when I uploaded 63 very blue pictures to my computer. That’s what you get when the camera is set for incandescent light.

O.M.G. Somehow they did not look blue on the camera screen .

Luckily all my photos will be black and white in the book, so I am saved.

Onwards!